“Someplace Green,” (The Journey, Spring Hill Music, 2004); Performance footage – Director: Sherman Halsey; Producer: Sherman Halsey; Location: Shepherd of the Hills, Branson, MO. Vignettes and Post-production – Director: Stan Moore; Producer: Stan Moore

“The Most Inconvenient Christmas,” (An Inconvenient Christmas, Spring Hill Music, 2002); Director: Sherman Halsey; Producer: Sherman Halsey; Location: The Grand Palace, Branson, MO

“Winter Wonderland,” (An Inconvenient Christmas, Spring Hill Music, 2002); Director: Sherman Halsey; Producer: Sherman Halsey; Location: The Grand Palace, Branson, MO

“Write Your Name Across My Heart,” (From The Heart, Spring Hill Music, 2001); Director: Eric Welch; Producer: Susan Bowman for The Collective; Location: Nashville National Cemetery (military cemetery), Madison, TN

 “Ain’t No Short Way Home,” (Voices, Platinum Records, 1999); Director/Producer: Tom Bevins for Southern Exposure: Location: Manchester, TN, and Louisiana Gulf Coast

“Fall,” (Long Haul, RCA Records, 1992); Director/Producer: Wayne Miller/Stan Strickland for Rainmaker; Location: DR&A Soundstage, Nashville, TN

“Change My Mind,” (Unstoppable, RCA Records, 1991); Director/Producer: Larry Boothby/Buck Ford for Scene Three; Location: Oak Hill, TN, and the community of Ashley Green, Bellevue, TN

“Soul and Inspiration,” (My Heroes Have Always Been Cowboys, Motion Picture Soundtrack, RCA Records, 1991); Director/Producer: Dean Lent/Kimberly Lansing for Limelight Productions; Locations: Belle Meade and Belmont Theatres, Nashville, TN

“No Matter How High,” (American Dreams, MCA Records, 1989); Director/Producer: Larry Boothby/Kitty Moon for Scene Three; Locations: Nashville, TN; Philadelphia, PA; Atlantic City, NJ; and Cunningham, TX                          

“Beyond Those Years,” (Monongahela, MCA Records, 1988); Director/Producer: Larry Boothby/Kitty Moon and Marc Ball for Scene Three; Location: A residential neighborhood and Scene Three Studios, Nashville, TN

“Gonna Take A Lot Of River,” (Monongahela, MCA Records, 1988); Director/Producer: Larry Boothby and Ken Walz/Kitty Moon and Marc Ball for Scene Three; Location: Lakewood Marina, Old Hickory Lake, Nashville, TN

“Take Pride In America,” (Greatest Hits Three, MCA Records, 1989); Director/Producer: Dick Heard for Dick Heard Productions; Larry Quinn, United States Department of Agriculture, Chief of the Video and Film Division/produced by the United States Department of Agriculture; Location: The Oaks Place Recording Studio, Hendersonville, TN

“Juliet,” (Seasons, MCA Records, 1986); Director/Producer: Scott Hello and Martha Holmes/Ken Walz for Ken Walz Productions; Location: Kaufman Astoria Studios, New York City, NY

“Little Things,” (Step On Out, MCA Records, 1985); Director/Producer: Patricia Birch/Ken Walz for Ken Walz Productions; Location: Ellington Agricultural Center, Nashville, TN

“Everyday,” (Greatest Hits Two, MCA Records, 1984); Director/Producer: Ken Walz/Ken Walz Productions; Location: Tennessee Performing Arts Center, Nashville, TN

“I Guess It Never Hurts To Hurt Sometime,” (Deliver, MCA Records, 1983); Director/Producer: Dominic Orlando/Pendulum Productions; Location: Nashville, TN

“Ozark Mountain Jubilee,” (Deliver, MCA Records, 1983); Director/Producer: Mark Dice/Nocturne Productions; Location: In concert at Greensboro Coliseum, Greensboro, NC

“Love Song,” (American Made, MCA Records, 1983); Director: Paul Henman/Kaleidoscope Productions; Location: High Desert, Palmdale, CA

“Thank God For Kids,” (Christmas, MCA Records, 1982); Director: Kenny Meyers/Rock Cottage Productions; Location: Sesame Place, Irving, TX